Print Gallery SEARCH THE SITE
Susan Groce, Invasive Species (16 segment detail of 216 segment installation), 2008
SEM images created through the Herbarium at the Edinburgh Royal Botanical Gardens.
All positives, plates and prints produced at the Department of Art, University of Maine.
Invasive Species brings together environmentally safer methods of production with content based on environmental issues. Living so close to the limits of our visual perception, change - even great change, becomes invisible in the here and now. It is often only by reaching beyond what is immediately appreciable to the eye that the effects of change come into focus. This installation of Intaglio Type etchings, based on macroscopic views from above (hurricanes and military airfields) juxtaposed with electron microscope images (leaf surfaces and seedpods), the view from within, explores how natural and human worlds intersect through the simultaneous constructive and destructive forces of nature and human endeavor. SG
LINK: PRINTMAKING RESOURCES (Printmakers and Artists)
LINK: INTAGLIO TYPE
LINK: HARD AND SOFT GROUND
Susan Groce, Invasive Species (16 segment detail of 216 segment installation), 2008
SEM images created through the Herbarium at the Edinburgh Royal Botanical Gardens.
All positives, plates and prints produced at the Department of Art, University of Maine.
Invasive Species brings together environmentally safer methods of production with content based on environmental issues. Living so close to the limits of our visual perception, change - even great change, becomes invisible in the here and now. It is often only by reaching beyond what is immediately appreciable to the eye that the effects of change come into focus. This installation of Intaglio Type etchings, based on macroscopic views from above (hurricanes and military airfields) juxtaposed with electron microscope images (leaf surfaces and seedpods), the view from within, explores how natural and human worlds intersect through the simultaneous constructive and destructive forces of nature and human endeavor. SG
LINK: PRINTMAKING RESOURCES (Printmakers and Artists)
LINK: INTAGLIO TYPE
LINK: HARD AND SOFT GROUND
Lillianna PereiraThe Far Side of Paradise
photopolymer intaglio print
artist's website
LINK: THE GREEN PRINT STUDIO
LINK: ZEA MAYS PRINTMAKING
Tom Drew
direct marks etched into aluminum
using the Saline Sulfate Etch
at the University of Chester
2005
LINK: ETCH ZINC, STEEL, ALUMINUM
LINK: ART MEETS SCIENCE
Indrani Gall, Eclipse II, color Intaglio Type print
LINK: PERFECT REGISTRATION
LINK: INTAGLIO TYPE
LINK: BEGINNERS COMPENDIUM
ETCH COPPER AND BRASS
LINK: PRINTMAKING RESOURCES (Suppliers)
Liz Chalfin, what's next?, photopolymer intaglio and ink drawing, 2008
artist's website
LINK: THE GREEN PRINT STUDIO
LINK: ZEA MAYS PRINTMAKING
LINK: PRINTMAKING RESOURCES (Studios, Printmakers and Artists)
Eunice Kim
Five Elements (Metal), collagraph
artist's website
LINK: COLLAGRAPH
Endi Poskovic The Night Studio in Gray with Red Color woodblock print from 5 blocks on Kozo Okawar washi
artist's website
LINK: WOODCUT
Joe Lindsey, silkscreen and digital print, 2007, Columbia College Chicago Academic Print Studio
LINK: SCREENPRINTING BASICS
Keith HowardMunch's Scream Missing
Four-color Intaglio Type (hand printed with 8 plates)
2006
LINK: INTAGLIO TYPE
Victoria Delaney, Pier, photopolymer print on primed canvas, University of Chester degree show, 2005
LINK: INTAGLIO TYPE
Joan Wiener, Poppies 5, photopolymer intaglio and Chine Colle
LINK: THE GREEN PRINT STUDIO
LINK: ZEA MAYS PRINTMAKING
Mark Graver, Nympheas I, metal salt etching printed with Akua Inks, 2009
LINK: PRINTMAKING RESOURCES WHAREPUKE PRINT STUDIO New Zealand
Jason TerryIntuition Series No 40
photopolymer intaglio with chine colle
LINK: PRINTMAKING RESOURCES (Printmakers and Artists)
Eric Coleman, Americana I, 4-color etched photopolymer print
Xerox transparencies were made from CMYK Photoshop separations. The four color layers were then etched into thin offset aluminum plates, and printed upside down using Akua intaglio inks.
LINK: ETCH ZINC, STEEL, ALUMINUM
LINK: PERFECT REGISTRATION (4-color)
Scott Prior
Ezra and Max
2005
polymer intaglio and digital pigment ink
artist's website
LINK: ZEA MAYS PRINTMAKING
David Bunnmulti-color screenprint
University of Chester Innovative Intaglio Print Studio
2004
LINK: SCREENPRINTING BASICS
Henrik Boegh, Angkhor Temple Cambodia, photogravure from copper plate, 2003
LINK: A EUROPEAN PERSPECTIVE
LINK: PRINTMAKING RESOURCES (Publications)
Friedhard Kiekeben, Loop (detail), one of a set of eight digital intaglio prints, 2008
LINK: FRIEDHARD KIEKEBEN
