Photo-Polymer Printmaking: Selected Videos
Dan Welden & non-toxic printmaking
Dan Welden talks about the advantages of non-toxic printmaking
Printing four color intaglio-type Fine art printmaking. Printing a four color intaglio-type plate. http://www.youtube.com/watch?v=w6tUUpvBwW4
Keith Howard 4 minute inking solarplate
Keith Howard solar exposure Makingartsafely
Keith Howard exposes an ImagOn plate using the sun at the "Making art safely workshop" in New Mexico.
4 color printmaking
instructional printmaking photopolymer
Puretch Photopolymer for Photo Etching & PCB Demo #1
©2009 Puretch photopolymer high resolution etching resist for fine art copper plate photo etching intaglio and photo circuit boards, PCB. This DIY video will show you how to laminate and expose a plate with Puretch photopolymer. The photo resist is sandwiched between 2 thin sheets of mylar. Discard all mylars. Gloves recommended for degreasing plate and development. Use all materials at your own risk. Please see website for complete instructions. capefearpress.com
Puretch Photopolymer Space Bag Vacuum Exposure for Photo Etching Demo #2
Puretch photopolymer high resolution etching resist for fine art photo etching and photo circuit boards, PCB. This DIY video will show you how to expose a plate with Puretch photopolymer without the need of a professional UV vacuum contact frame exposing unit. A clear mylar Space Bag® and 500 watt halogen spot light will be used instead. Exposure is for 5.5 minutes, 18" from bulb. Note: a professional UV exposing unit and vacuum frame is recommended for very fine halftone work as there is a slight loss of details in the highlights with the space bag. The space bag is ideal for coarser bitmaps, line work or circuit designs. Use all materials at your own risk. capefearpress.com ©2009
4 Color Intaglio-Type: Dot Structure Sample, Tutorial 1
4 Color Intaglio-Type: Dot Structure Test Sheet, Tutorial 2
4 Color Intaglio-Type: Monotone Transparency, Tutorial 3
Silkscreen Printing: Selected Videos
Tonya Hill shows you the photo emulsion technique for screenprinting.
Roni Henning - Water-based Screenprinting
'Roni Henning is a master screenprinter who has worked with many famous artists, including Andy Warhol, Red Grooms and Romare Bearden. She teaches screen printing at her studio and at the Lower East Side Printing School in New York City.'
General Printmaking: Selected Videos
Susan Rostow - Safer Printmaking / Akua
Tutoriel of Kitchen lithographie. by Émilion with common matérial in his box : Oil paint, foil of alu, carbon paper, soda cola, graphite 9B, oil of colza... If you have typo or litho ink mixed with etching ink : it's better !
Kitchen Litho 2012 greeting card.Handbook in my web http://www.art-emilion.fr
An Intro to Akua Kolor and Monotype Printing
Basic Printing Techniques with Akua Intaglio Inks
An Intro to Akua Kolor and Monotype Printing
How to use Speedball Block Printing Materials
Learn basic block printing techniques using various Speedball materials. This video includes information on traditional linoleum block, Speedy Carve Block and other easy to use products for the beginner to advanced artist . All products and more can be purchased at www.dickblick.com
How to Use Speedball Screen Print Materials
www.dickblick.com. Watch a step-by-step process of the popular Diazo Photo Emusion screen print method using Speedball's Ultimate Screen Print Kit.
Del ordenador al tórculo
(Del programa de Cultura Viva transmitido el 22 de mayo de 2011)
Dry Point Printmaking on Perspex - 2.) Step 1 : minu - Making Nice Stuff - Printmaking Series
Giving you in detail information about Step 1 Preparing your Plate.
These episodes are part of the Printmaking Series.
For further episodes, other topics and additional series see http://minu.co.nz
Grafisk Eksperimentarium: Selected Videos
Part 1 of NON-TOXIC intaglio - step by step: Acrylic Resists Etching Photopolymer Film
For more information about non-toxic intaglio and the DVD - NON-TOXIC intaglio - step by step - visit http://grafiskexperimentarium.com/
Part 2 of NON-TOXIC intaglio - step by step: Liquid hard ground
Part 3 of NON-TOXIC intaglio - step by step: Roll-on soft ground and hard ground
Part 4 of NON-TOXIC intaglio - step by step: Washes
Part 5 of NON-TOXIC intaglio - step by step: Aquatint
Part 6 of NON-TOXIC intaglio - step by step: LIFT GROUND and Spray-on Hard Ground
Part 7 of NON-TOXIC intaglio - step by step: Etching
Part 8 of NON-TOXIC intaglio - step by step: Stripping
Part 10 of NON-TOXIC intaglio - step by step: The line drawing
Part 11 of NON-TOXIC intaglio - step by step: Washing
Part 12 of NON-TOXIC intaglio - step by step: The Halftone
Part 13 of NON-TOXIC intaglio - step by step: Examples