Contacting Nontoxic
Workshops and Studios:
Sample Details CONTENT | SEARCH
many of the details here need updating
with current information, and this list gives an impression
and overview of some of the main studios
dedicated to safer print practice.
Please contact the studios directly
for their current details and event schedules.
editors note:
please contact us if you wish updated weblinks and other details
to be included here, and please use a link
to our resource www.nontoxicprint.com on your online pages
Artist printmaker Mark Graver (MA Printmaking Camberwell College of Arts, London)
offers Non-Toxic Printmaking courses, workshops, international artist residencies
and professional development opportunities from the Wharepuke
Print Studio in Kerikeri, Bay of Islands, New Zealand.
http://nontoxic-printmaking.co.nz/
7 days with acrylic etching grounds, photopolymer gravure and photogravure
https://www.grafiskeksperimentarium.dk/workshops/?lang=en
SCROLL DOWN OR CLICK ON THE LINKS FOR WORKSHOP DETAILS
SQUEEGEEVILLE ZEA MAYS PRINTMAKING NEW GROUNDS PRINT WORKSHOP KALA ART INSTITUTE SEV SHOON ARTS CENTER MAKINGARTSAFELY HENRIK BOEGH INTERNATIONAL WORKSHOPS SCREWBALL PRESS RENAISSANCE PRESS KUNSTDRUCK PRINTMAKING STUDIO DAN WELDEN, SOLARPLATE WORKSHOPS PMP GRAFIX GOWANUS STUDIO SPACE WARRINGAH PRINTMAKERS STUDIO IL BISONTE STUDIO, FLORENCE RONI HENNING SCREENPRINT WORKSHOPS
The Green Print Studio
Instructional Videos A selection of relevant YouTube videos
CLICK CALENDAR FOR A SAMPLE OVERVIEW OF SELECTED PRINTMAKING WORKSHOPS & EVENTS (SAMPLE SCHEDULE from 2010),
selection of sample events: see below
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Ars in M.A.G.E.
Metodologie delle Arti Grafiche Ecocompatibili ottobre 2022
Presentazione del nuovo laboratorio di Fabiola Mercandetti e Marco Innocenzi:
Viale di Vigna Pia, N. 56 – Zona Portuense, Roma.
Contatti WhatApps/telefono : Fabiola 3281242159 Marco 339 6507728
email arsmage@virgilio.it
Laboratorio dedicato alle ricerche sull’Arte Grafica:
Fabiola Mercandetti -Tecniche di incisione e di stampa dalla tradizione ai metodi
Non-Toxic
· metodi sperimentali ed innovativi realizzati con l’applicazione di un’ampia gamma di materiali, da quelli tradizionali, naturali a quelli di riciclo, sperimentazioni di materiali fotosensibili e numerosi altri metodi.
· Dal Bulino tradizionale ai metodi dei maestri contemporanei
· Metodi Non-Toxic applicati alla Calcografia, Litografia senz’acqua ed altri sistemi litografici, tecniche di incisione e stampa su Polimeri Naturali.
· Sistemi di stampa a colori.
Intro to Screenprinting, Royston, BC
For inquiries and to register contact Andy MacDougall andy@squeegeeville.com or telephone 250-334-2598.
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Intro to Linocut
with Neil Brigham
Saturday, September 25, 10-5
$140 non-members
$125 members
As in the tradition of woodcut printmaking, we will explore the direct, graphic and fun aspects of relief printmaking using linoleum. The ease of working with linoleum offers opportunities for bold, decorative designs as seen in the linocut prints of artists like Picasso and Matisse. In this workshop, we will start with a simple drawing that will then be transferred onto the linoleum block. Using this line drawing as a guide, students will then prepare the block for printing by carving away areas of linoleum using the cutting tools. Each student will create multiple prints on specialty papers as well as card stock to make his or her own cards.
Workshop Registration Form [PDF]
Intro to Intaglio Printmaking
with Louise Kohrman
Wednesday evenings, 6-9PM
September 22-October 13
$275 non-members
$245 members
Intaglio Printmaking includes the beautiful mediums of etching and drypoint. Learn the non-toxic copper intaglio process in this beginner-level workshop. A variety of specialized techniques including drypoint, hardground and aquatint will be introduced as ways to achieve both line and tone in the intaglio technique. Participants will learn plate preparation techniques; proper inking, wiping and printing skills; and a variety of methods for creating a finished image.Workshop Registration Form [PDF]
Photo-Based Intensive
with Nancy Diessner
October 9/10, 10-5
$300 non-members
$270 members
Photography and Printmaking are not strangers to each other, and in fact can work together beautifully in several different processes. This workshop will introduce you to the magic of two distinct photo-based printmaking techniques: Pronto Plates and Photopolymer Intaglio, using a photo-sensitive polymer plate. These two processes are much safer than traditional photo-etching, which relies on several hazardous chemicals.
We'll begin with Pronto Plates, appreciating the simplicity, immediacy and relative unpredictability of the process. At the end of the first day and into the second day we'll turn to Photopolymer Intaglio, a process that has the greatest potential to approximate the tonal richness of a photograph. At the end of the second day, we'll see what can happen when we combine these two very different photo-based processes in a single print.Workshop Registration Form [PDF]
Making Prints Into Books
with Joyce Silverstone and
Meredith Broberg
Wednesday evenings, 6-9 PM
October 20 - November 17
$325 non-members
$290 members
Books can be very satisfying to make and very engaging to view. Here's a chance to learn three book forms that are particularly enjoyable; each one is simple enough to learn in an evening, and versatile enough to offer many possibilities for variations. We'll start the series with two evenings of printing with Joyce, who will introduce viscosity monotype and transfer drawing. These methods are spontaneous ways of creating richly colorful prints that will be designed to fit and flow into the book structures.
We'll transform these prints into book pages in the last three evenings with Meredith. We'll learn how to make a drum leaf book, a case binding (with a hard cover) and several folded structures, including Hedi Kyle's panel book. The technical aspects will be supplemented with short exercises to help you develop your content. No experience necessary, just curiosity!Workshop Registration Form [PDF]
Chine Colle
with Louise Kohrman
Saturday, October 23, 10-5
$140 non-members
$125 members
Chine colle is a process whereby a thinner sheet of paper is adhered to a backing sheet during the printing process. Gain insight into this process through demonstrations and individual work with the instructor. We will learn how to cook and prepare the wheat paste adhesive, various application methods, pre-application methods, proper dampening and misting techniques, plate and press preparation, and corrections after printing. We will also discuss and experiment with the different types of papers used in the process. Some printing experience is recommended for participants, who are all asked to bring at least one pre-worked plate to class.Workshop Registration Form [PDF]
Luminosity and Sparkle in Prints
with Louise Kohrman
Sunday, October 24, 10-5
$140 non-members
$125 members
Metallic inks, shimmery papers, radiant surfaces! Have you wanted to introduce metallic inks and luminous papers in your work? We'll provide the supplies and technical know-how! Just bring your ideas and plates and come for a day of experimentation. Open to all levels.Workshop Registration Form [PDF]
Accidents Will Happen: Viscosity Monotype
with Joyce Silverstone
Saturday, October 30, 10-5
$140 non-members
$125 members
Viscosity monotype with water-based inks involves a loose, painterly, and often, thrilling exploration playing the edge between accident and control. Create subtle, spontaneous, one-of-a kind prints on delicate papers, using modified inks. Thick and thin inks resist each other in ways that allow for beautiful color interactions in delightfully unpredictable ways. Learn some of the tricks to making this fun way of exploring color work for you, as you add to your printing vocabulary.Workshop Registration Form [PDF]
Ghost Lines and Plate Noise: Drawing and Printing
with Joyce Silverstone
Sunday, October 31, 10-5
$140 non-members
$125 members
Discover or reconsider and renew your personal connection to drawing. We'll explore a variety of monotype methods of immediate mark-making. On and off the press, we will use Akua Kolor drawing tools, (the coolest squeeze bottles and drawing needles ever!) and transfer drawing techniques to create multi-layered prints. Students will quickly generate a series of monotypes that explore the touch of responding to forms found in nature and the language of marks particular to printmaking. Instruction will cover modifying inks to enable you to create satisfyingly dark, crisp lines, simple and easy registration methods, and guided practice experiences in drawing to expand your expressive possibilities.Workshop Registration Form [PDF]
Beyond the Beginner: Photo-Based Printmaking
with Nancy Diessner
Saturday/Sunday, December 11/12, 10-5
$300 non-members
$270 members
This workshop will focus on taking your introduction to photopolymer intaglio to the next level. We'll work on refining your process to improve your resulting images; we'll expand your approach to these plates by integrating drawing tools and surface manipulation; and we'll be layering plates by adding other photo-based and/or monotype processes. Whether you just learned how to process photopolymer plates and are eager to know more, or had your introduction several years ago and didn't know where to go from there, this workshop is for you. Emphasis will be placed on individual attention. If you have not been introduced to photopolymer intaglio technique, but are interested in participating in this workshop, consider an Individualized Teaching session to prepare you.
Workshop Registration Form [PDF]
If a workshop is cancelled because of low enrollment, your registration will be fully refunded.
If you cancel your registration at least two weeks prior to the workshop, you will receive a refund for the total fee minus 10%.
Cancellations within two weeks of the workshop will result in a refund only if someone is found to fill your space.
Registration: Payment must be made at the time of registration. No refunds will be given if a cancellation occurs less than 96 hours before the class. All major credit cards accepted. Max 8 students per class.
Introduction to Monotype
This liberating medium combines painting and printmaking techniques. In this four day class, students will be introduced to a variety of techniques from basic to experimental, and work with high-quality water-based Akua-Kolor monotype inks.
Class dates: Saturdays and Sundays Sept. 11, 12, 18, 19
Class time: 9 AM - 5 PM, includes lunch break
Class fee: $ 275.00 + tax, includes all printing materials.
Paper needs to be purchased separately.
Instructor: Mary Sundstrom, MFA
Monotype Madness
3 Presses!
2 Hours!
Dozens of bottles of ink!
Mounds of brushes, brayers, stamps, stencils, paper, widgets and wing dings!
Infinite Possibilities!!
Date: Saturday, November 20th
Time Slots:10:00-noon, 1:00-3:00 or 3:30-5:30
Fee: $ 40.00 + tax per session, includes some paper
Our trained printers stand ready to assist as you become a prolific producer of prints during this special event. You will use a printing press to transfer painted, stamped, stenciled or drawn designs from plate to paper and create as many unique images as possible. Open to all!
Non-toxic Photogravure/Solarplate-Etching
This four day workshop provides an exciting opportunity to create beautiful limited edition prints using two distinctly different methods. The first results in rich and detailed photographic images, the second is a great alternative to lithography for artists who love to draw!
Class dates: Saturdays & Sundays, Oct. 9, 10, 16 and 17
Class times: 9 AM - 5 PM, includes lunch break
Class fee: $ 275 + tax, includes two small plates, and all printing materials. Additional plates are available.
Instructor: Diane Alire, MFA
Parisian Beachwear
Two Plate Gravure
6.5 x 10"
Collagraph
Translated literally as "collage prints," this medium is for artists who thrive on textures and tactile art-making. Students will use this two day class to construct several different plates and learn a variety of printmaking techniques.
Class dates: Sunday and Sunday, Oct. 23 and 24
Class times: 9 AM - 5 PM, includes lunch break
Class fee: $ 200 + tax, includes most printing materials
Instructor: TBA
What the Buddha Sees
18 x 10"
Hand-stitched Monotype and Collagraph
In this intensive four day class, students will become acquainted with the beautiful art of copper etching which inspired artists such as Rembrandt and Goya. We will be working exclusively with new and safe materials. Artists will be introduced to a variety of techniques from the beginning to advanced level. For the final project, each student will create an edition which will result in an exchange portfolio.
Class dates: Sundays, Nov. 7, 14, 21 and 28
Class times: 9 AM - 5 PM, includes lunch break
Class fee: $ 275 + tax, includes one 6 x 4.5" copper plate,
1 sheet of paper, 2 etching tools, and printing materials.
Instructor: Ray Maseman, BFA
Rapunzel
8.5 x 5.25"
Multiple Plate Etching
For more information go to www.newgroundsprintshop.com
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SCREWBALL ACADEMY
Since 1991, Steve Walters (under the moniker Screwball Press) has been printing posters, CD packaging, and a variety of other collectible items for Chicago's indie rock community. Over the years, he has had the opportunity to train and/or work with some of his favorite local artists including Bob Hartzell, Kristen Thiele, Jay Ryan, Mike Benedetto, Keith Herzik, and Jason Frederick. Around 2000, Steve looked back on ten years of work and realized that working with these people was the single most satisfying aspect of Screwball Press. So he began to implement the Screwball Academy based on the extension of the Minutemen's "band in every garage" credo. Steve wanted to see a printer in every band.
At present, Steve has taught 36 people over the past 18 months, most of whom still use the facilities to print personal projects as well as a few who run their own printing businesses.
THE DEAL
Screenprinting is a physical, hands-on process and so is the course. Students come in with a piece (or 2) of black and white line art and leave with up to 50 3-color, 11"x17" prints that they produced themselves. This can be done in a single 6-8 hour session or can be broken up into two shorter sessions. After that, you are free to come back whenever you want to use the facilities.
To schedule a class, email Steve at steve@screwballpress.com
The workshops will take place at Renaissance Press in Ashuelot, New Hampshire. Participants should expect intensive days in a relaxed environment. Renaissance Press is located on the bank of the Ashuelot River and is 25 minutes drive to Keene New Hampshire or Brattleboro Vermont.
Kunstdruck offer a range of intaglio courses, so whatever your level of experience, you'll find one suitable for you. The well-equipped studio workshop, located in a rural area only 20 miles from Vienna can also be hired by individuals and small groups for exclusive use.
NEW! Dekkle Intaglio Workshops in Austria are especially designed for those of you planning a holiday to Austria. Starting in May 2010, we're running 4-day intensive intaglio workshops to be jointly tutored with David Borrington MA RCA from Dekkle Printmaking Studios. The workshops take place over an 8 day period, allowing participants plenty of time for sightseeing. More info
For more information on any of our courses, check out the links or simply contact us.
2-hour Etching Demonstrations unravel the mystery surrounding this ancient art form. In just a few hours, you'll gain an overview of the process using copper sulphate, a relatively safe etchant with zinc plates. Many of the key stages of the process including printing on the press will be demonstrated. More info
2-day Beginner's Courses in Etching take place over a weekend, where beginners will have the chance to learn the theory and gain practical experience in a supportive environment. This hands-on course covers the main processes from plate preparation through to printing on the press. The experience gained will help participants get the most out of the more advanced courses. More info
5-day Intensive Courses in Etching are best suited to those with some experience of etching - or who are quick to learn. The various stages of etching are fully covered, with plenty of opportunity to create and experiment using this fascinating medium. More info
Tailor-made Etching Courses are for those who prefer working a one-to-one basis or have a group of interested friends who want an etching course specifically designed for them. Contact us to discuss your particular wishes. More info
Workshop Hire offers experienced artists exclusive use of the facilities to print off their own editions or the opportunity to simply explore the medium. For those who prefer it, supervision and assistance can be provided. More info
For further information and enquiries:
Tel: +43 (0) 2274 301 26
E-mail: viqali@aon.at
Coming Up in 2011
Jan. 2-8
Mazalatan, Mexico
Contact Kerry Vander Meer kerryv@pacbell.net
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For further information contact: |
tel: e-mail: purchase@solarplate.com web address: www.solarplate.com |
The Second International Workshop of Visual Arts, Printmaking and Paper. PMP GRAFIX
In this second edition, the Center PMP GRAFIX is offering three intensive workshops.
ARTIST'S BOOK THROUGH EXPERIMENTAL TYPOGRAPHY.
Taught by EMILIO SDUN.
From 2 - 6 August 2010. 40 hours
450
INTAGLIO PRINT NON-TOXIC PROCESSES: SALINE MORDANTS AND ACRYLIC RESIST ETCHING.
Taught by PACO MORA.
From 9 - 13 of August 2010. 40 hours
450
ELECTRO-ETCHING, A NON-TOXIC PROCESS.
Taught by ALFONSO CRUJERA.
From 16 - 20 August 2010. 40 hours
450
Workshop times: mornings from 10AM to 2PM. and afternoons from 5PM to 9PM.
INFORMATION
For more details about our courses, please contact:PMP GRAFIX, Asociacion Cultural, Centro Castellano Manchego del Papel y las Artes del Libro.
Postal address: Apartado de Correos 585 / CP 02080, ALBACETE - ESPANA.
By Internet: e-mail: pmpgrafix@gmail.com WEB
www.pmpgrafix.org www.pacomora.esBy Telephone: + 34 - 670 52 78 79 + 34 - 670 52 78 79
PMP GRAFIX is located in: Poligono Industrial Romica. Calle 4, Parcela 117, Nave G. Albacete. SPAIN
Se adjunta información sobre los
PMP GRAFIX II Talleres Internacionales de Artes Visuales, Gráfica y Papel. 2010.
ALBACETE-ESPAÑA
1º Taller: LIBRO DE ARTISTA A TRAVÉS DE LA TIPOGRAFIA EXPERIMENTAL. Por Emilio Sdun. 40 horas. Del 2 al 6 de Agosto. 450
2º Taller: GRABADO CALCOGRÁFICO NO TÓXICO: MORDIENTES SALINOS Y BARNICES ACRÍLICOS. Por Paco Mora. 40 horas. Del 9 al 13 de Agosto. 450
3º Taller: GRABADO ELECTROLITICO NO TÓXICO. Por Alfonso Crujera. 40 horas. Del 16 al 20 de Agosto. 450
MATRICULA PLAZO DE INSCRIPCIÓN
- PLAZO DE INSCRIPCIÓN: finalizará el 15 de Junio.
- MATERIALES: Van incluidos en el precio del Taller.
DESCUENTOS:
Tendrán un descuento del 10% sobre el precio total de cada curso
- Los antiguos alumnos del PMP GRAFIX.
- Aquellos alumnos que se matriculen en varios cursos.
- Aquellos que se matriculen antes del día 1 de Mayo de 2010.
- Aquellos grupos de alumnos que se matriculen en un mismo curso.
- Socios de las asociaciones de artistas visuales, federadas en la Unión de Asociaciones de artistas visuales (UAAV) de España
PMP GRAFIX Asociación Cultural,
Centro Castellano Manchego del Papel y las Artes del Libro.
Apdo. correos 585 02080 ALBACETE
Calle 4, Parcela 117, Nave G. Polígono Industrial ROMICA.
ALBACETE-ESPAÑA
TLF: 670 52 78 79
e-mail: pmpgrafix@gmail.com
Para recibir la INFORMACIÓN COMPLETA o cualquier aclaración sobre nuestros cursos, diríjanse a PACO MORA, Director. Por TLF 670 52 78 79 o por email:
pmpgrafix@yahoo.esY en la web
www.pmpgrafix.org www.pacomora.esSaludos Paco Mora, Director de los PMP GRAFIX II Talleres Internacionales de Artes Visuales, Gráfica y Papel. 2010.
Have a project you need to finish fast? Need space? Need printmaking or woodworking facilities in a pinch?
Use of our printmaking and woodworking facilities is just $45/day!
Email us at info@gowanusstudio.org for more information.
| Term 1 |
Term 2 |
Term 3 | Term 4 |
| 30 Jan. to 31 March | 27 April to 26 June | 19 July to 18 Sept. | 11 Oct. to 11 Dec. |
Morning Class: 9.30am to 12.30pm
Afternoon Class: 1pm to 4pm
Course Fee: $210.00 Casual Class: $35.00
Bookings: Please send an email to Rebecca@printstudio.org.au.
Course Outline: Traditional & contemporary printmaking using intaglio & relief techniques. The course will cover woodblock, lino block, drypoint, etching using aluminium, copper & zinc plates & photopolymer/solarplate.
Please make cheque or money order for class fees payable to Rebecca Baird.
Morning Class: 9.30am to 12.30pm
Class Maximum: 10 students
Course Fee: $200.00 Casual Class: $28.00
Bookings: Please send an email to Jan@printstudio.org.au.
Course Outline: Photopolymer/solarplate, drypoint, aluminium etchings, collagraphs & relief prints hand printed onto Japanese papers with baren. Students will be encouraged to experiment with other media & to learn new techniques offered by the studio.
Please make cheque or money order for class fees payable to Jan Melville.
Evening Class: 6.30pm to 9.30pm
Course Fee: $195.00 Casual Class: $27.00
Bookings: Please send an email to Tim@printstudio.org.au.
Course Outline: Intaglio & relief printmaking techniques - drypoint, etching using aluminium, copper, zinc plates & photopolymer.
Please make cheque or money order for class fees payable to Tim Witney.
Morning Class: 9.30am to 12.30pm
Afternoon Class: 1pm to 4pm
Class Maximum: 9 students
Course Fee: $200.00 Concession: $185.00
Casual Class: $28.00
Bookings: Please send an email to Susan@printstudio.org.au.
Course Outline: Both classes encourage creative freedom to explore the different printmaking media at the individual's own pace and caters to all levels, from the more experienced students wanting to further skills to the beginners who are most welcome.
Please make cheque or money order for class fees payable to Susan Baran.
Held every second Saturday 10am to 4pm. Check with Rosanna for the schedule of dates.
Class Maximum: 8 students
Course Fee: $220.00 Casual Class: $40.00 (casual attendance by prior arrangement).
Bookings: Please send an email to Rosanna@printstudio.org.au.
Course Outline: The course will cover the foundation skills applied in printmaking through a range of methods & techniques. Exploring safer printmaking practices while preparing intaglio & relief plates ready for fine art printing. Techniques will include etching, woodcut, linocut & collagraph. For beginning & experienced artists.
Please make cheque or money order for class fees payable to Rosanna Jurisevic.
Full members with a good knowledge of printmaking techniques, the competence to work by themselves and a proven familiarity with the printmaking equipment & studio safety procedures, are eligible to access the Studio facilities. An orientation session is required for all members before they are eligible for access as well as two or three sessions of working with an experienced Studio member. A Studio Orientation to assess readiness for access is free. Please contact Sandra@printstudio.org.au to organise an orientation.
| Casual Rate $5.00 per person per hour. Commercial Rate Members editioning for other artists must pay the commercial rate of $6.50 per hour. Exclusive Rate Full members may also book use of the Studio exclusively for editioning purposes at the rate of $90 per person per day. |
Pre Paid Rate - conditions apply Discounts are available if access time is paid for in advance for a regular time slot each week. Users must be prepared to let Studio events & exhibitions take precedence & will not necessarily use the maximum hours allowed. There is no refund or compensation for hours not used. Quarterly - $180.00 (maximum usage of 60 hours only over 13 weeks) Half Yearly - $300.00 (maximum usage of 120 hours only over 26 weeks) Yearly - $540.00 (maximum usage of 240 hours only over 52 weeks) |
Etching on copper plate with ferric chloride is another low toxic, safer way to make prints. Copper is known to produce crisp lines, fine detail and is perfect for colour inking. Learn this technique from artist and senior printer at Australian Print Workshop, Martin King. Martin's etchings (copper plate) are well known and held in many important collections throughout Australia and internationally. He recently won the Broken Hill Art Prize. Learn more...
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Date: 13 & 14 November 2010 |
 The Crossing IV 2006 |
Please note that participants of workshops held at the Warringah Printmakers Studio need to become at least Associate members of the Studio. Unless stated otherwise, the cost for workshops does not include the membership fee.
Weekend and midweek workshops are arranged in response to demand, so please enquire.
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Printmaking Workshop in Florence Annie Day & Robin Ezra |
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NEW 'bring a friend' discount... Annie Day and Robin Ezra will be your teachers. Enjoy 60 hours of expert tuition over 12 days of studio-based teaching where you will receive personalised tuition & practice hands-on the printmaking techniques of Waterless Lithography and Collagraphy in a welcoming environment. Participants at any level of experience are welcome from beginners to practicing printmakers and artists |
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These workshops will introduce you to the diversity and excitement of Silkscreen Printing. Work with bold, painterly colors, hand drawn and delicate details and photographic and digital images. The workshops cover all the basics and then expand to explore more creative and complex techniques including Henning's unique watercolor, colored pencil, and charcoal monotypes.
All the workshops are taught by Roni Henning, Masterprinter, Artist and Author of two books on Water-Based Screenprinting. Her latest Water-Based Screenprinting Today published by Watson-Guptill is now available.
5 Day Innovative, Experimental Workshop pushing the medium beyond the traditional.
Open to all levels of students.
$100 per day. Take all 5 days or only as many as you want.
Introduction to Screenprinting and covering all the traditional methods including tee-shirt printing.
Open to all levels of students
$250 + $25 supply fee
Center For Contemporary Printmaking
Mathews Park, 299 West Ave
Norwalk, Ct 06850
203-899-7999
$475 + $30 studio fee Limited to 7
Traditional Screenprinting for all levels of students
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